A native Oregonian, Brian Cameron was born in
Seaside in 1952. He has lived his entire life on the north Oregon coast as did
two generations before him. This long exposure to the peculiarities of the area
has resulted in a bond with the culture and traditions of the North West.
Rugged individualism, hard work and a sense of oneness with, and appreciation of
nature are all aspects of this culture. These are qualities well suited to an
artist.
Primarily self taught, he leaned, as a young man, the art of furniture making and the characteristics and qualities of wood along with the methods and tools used in shaping it. The study of traditional Japanese techniques in architecture, woodworking and block printing led to an appreciation of the power of simplicity in line and space. Incorporating these ideas into furniture design, he became well known both for impeccable craftsmanship and for creating tables which are recognized, in essence, as abstract sculptures designed for utilitarian use.
Primarily self taught, he leaned, as a young man, the art of furniture making and the characteristics and qualities of wood along with the methods and tools used in shaping it. The study of traditional Japanese techniques in architecture, woodworking and block printing led to an appreciation of the power of simplicity in line and space. Incorporating these ideas into furniture design, he became well known both for impeccable craftsmanship and for creating tables which are recognized, in essence, as abstract sculptures designed for utilitarian use.
TABLE FROM FLOATING TEAK SERIES |
FISHERMAN'S WIFE |
As a career in furniture making developed he began incorporating glass and black concrete into his wood furniture, and although his tables became more and more free in their design, in time, the constraints of adapting each inspired sculpture to a functional purpose became a burden. To work in other mediums where free expression is unhindered, drew him to study the master sculptors like Rodin, Brancusi, Moore and Baskin.
Soon he began to make figurative sculptures in both wood and concrete, and he began creating 3 dimensional hanging constructions. Carving NW Coast Native American ceremonial masks fulfilled a desire to explore his Cherokee heritage. All of this became a new release of artistic energy and opened the door to creating artworks with a clear subject matter. Traditional Japanese block printing was another step in that direction. Focusing on nature for inspiration, the crow and raven became a dominant theme in much of his work as the copious use of black continued to be a signature aspect of his work.
BOLD RAVEN |
HOMAGE TO ROTHKO |
HOMAGE TO RUSSO 1 |
UNFINISHED MEADOW |
“Inspiration.., that perfect, intuitive moment, when time stops when logic
and fear are tuned out, and pure, uninhibited creativity is flowing
effortlessly onto paper, is elusive, but when it occurs, the piece of work is
truly authentic and there is a completeness and value to it that only some will
perceive but is always known by the artist "
Brian Cameron’s work was originally available exclusively in the Cameron Gallery, which he and his wife Leslie owned and operated in Gearhart, from 1992 to 1996, and by commission through interior designers. From 1996 through 2002 his work was regularly shown at the Blue Pear in Portland, at the Triad Gallery in Newport and at the Beppu Gallery in Pacific City, Or. He has participated in many juried and invitational shows at the Cannon Beach Arts Association Gallery in Cannon Beach, Or., and has been represented continuously at the Riversea Gallery in Astoria ,Or. since 1998. In 2013 he was juried into the Portland Art Museum rental sales Gallery for permanent representation. In 2018, Warner Bros. contracted with Brian for the use of seven of his paintings in their new television series "The Perfectioist".
Brian works from his studio beside his oceanfront home on the beach just north of Gearhart, Oregon where he lives with his wife Leslie.
Brian Cameron Bio/Resume
A native Oregonian,
Brian Cameron was born in Seaside
in 1952. He has lived his entire life on the north Oregon coast as did two generations before
him. Though his father was a small business owner, his mother, a music teacher,
provided a home in which artistic expression was a cornerstone. He was encouraged
to study and to find outlets for his musical and artistic talents. After
heading to college in 1972 with an art scholarship, this 3rd
generation ‘Coastie’ embarked on an early career as a maker of fine furniture,
incorporating the elements of clean Japanese design and flawless joinery. He
later shifted to figurative sculpture in wood and even concrete, before delving
into printmaking and ultimately painting.
Early paintings were
primarily abstract as were his masterpiece furniture designs. He made a gradual
turn toward representational paintings end enjoyed painting near
photo-realistic works for a time, but still felt compelled to return to a more
abstract approach.
Brian works in both oils and acrylics, preferring to shy
away from too much detail by employing the palette knife much more than the
brush. This may be a throwback to sculpting in some regards as the knife allows
a more painterly 'building' of the piece. As one who is heavily influenced by
nature, he is attempting to express a serene harmony in much of his work. Although
many of his paintings are still representational, he often slides into near
abstraction, striving to capture just the essence of the subject, inviting the
viewers to use their imagination, thereby participating in a creative exchange.
Cameron says of the creative
process “When you get going, the
logical side cuts out and there is a great meditation there. That perfect, intuitive moment, when time stops,
when logic and fear are tuned out, and pure, uninhibited creativity is flowing
effortlessly onto canvas, is elusive, but when it occurs, the piece of work is
truly authentic and there is a completeness and value to it that only some will
perceive but is always known by the artist.” Brian works from his oceanfront studio in
Gearhart Or. where he lives with his wife Leslie.
Past representation
1992 - 1996 Cameron Gallery, Gearhart, Or.
1996 - 2002 The
Blue Pear , Portland,
Or.
1999
– 2002 Triad
Gallery , Newport,
Or.
1999 - 2001 The Beppu Gallery , Pacific City,
Or.
2000 - 2014 Cannon Beach Arts Assoc. Gallery
2000 - 2014 Cannon Beach Arts Assoc. Gallery
2010
- 2011 Modern
Villa Gallery , Cannon
Beach ,Or.
2013 - 2014 Primary Elements Gallery, Cannon Beach
Or.
Current
representation
1998 –
present Riversea Gallery, Astoria,
Or.
2013- present Portland Art Museum Rental Sales
Gallery, Portland
Or.
2015 - present White Bird Gallery, Cannon Beach ,Or
Selected exhibits
Selected exhibits
Cannon Beach Arts Assoc.Gallery 2006 Vessels
juried exhibit
2009 For The Birds
invitational exhibit
2011 Annual Miniatures Show juried exhibition
2012
Fruits Of Our Labor invitational
exhibit
2013
Boats juried exhibit
2013 Still Life invitational exhibit
2013 Miniatures Show Juried exhibit
Triad Gallery 2002 Wood and Wool invitational exhibit
White Bird Gallery 2015 45th Anniversary invitational
White Bird Gallery 2015 45th Anniversary invitational
Riversea
Gallery 2001 Wood Altered
invitational exhibit
2002 Nature of Wood solo exhibit
2005 River
Readings invitational exhibit
2005 Sacred
Coast solo exhibit
2007 Sky
Field Water duo exhibit / Brandon
Hoffman
2008 Mood light Landscape duo exhibit/ Kirk Jonasson
2008 Images Of Memory juried exhibit
2009 Big Red: Revisited juried exhibition
2009 Up
Close and Far Away solo exhibit
2012 Postcards
From The Edge invitational exhibit
2012 Art Concerto
invitational exhibit
2013 Studio Tour Demonstration invitational
2013 Objects Of Desire invitational
2014 Tails To Tell invitational
2013 Studio Tour Demonstration invitational
2013 Objects Of Desire invitational
2014 Tails To Tell invitational
2015 Chasing Sunlight invitational
2016 50 years to Nowhere invitational
2016 Stories From The Edge invitational
2018 Chasing The Muse solo show
2016 50 years to Nowhere invitational
2016 Stories From The Edge invitational
2018 Chasing The Muse solo show
Portland Art Museum Gallery 2013 June New Artists Show Juried exhibit
Portland 2013 Fall Member Show Juried invitational
exhibit 2014 Spring Member Show Juried invitational
2014 Fall Member Show Juried invitational
2 2015 Spring Member Show Juried invitational
2015 Fall Member Show Juried invitational
2016 Spring Member Show Juried Invitatinal
2016 Fall Member Show Juried Invitational
Portland 2013 Fall Member Show Juried invitational
exhibit 2014 Spring Member Show Juried invitational
2014 Fall Member Show Juried invitational
2 2015 Spring Member Show Juried invitational
2015 Fall Member Show Juried invitational
2016 Spring Member Show Juried Invitatinal
2016 Fall Member Show Juried Invitational
2017 Spring Member Show Juried Invitational
2017 Fall Member Show Juried Invitational
2018 Spring Member Show Juried Invitational
2018 Fall Member Show Juried Invitational
Howard/Mandville Gallery 2013 Small Works Show invitational exhibit
Kirkland Wa.
2017 Fall Member Show Juried Invitational
2018 Spring Member Show Juried Invitational
2018 Fall Member Show Juried Invitational
Howard/Mandville Gallery 2013 Small Works Show invitational exhibit
Kirkland Wa.
Seaside
Public Library 2010 Brian Cameron Retrospective solo exhibit
Seaside Or.
Seaside Or.
COLLECTIONS
Kaiser
Westside Medical
Center, Portland
Or. permanent collection
Holliday
Park Plaza Portland
Or. permanent collection
Goodman Corp. Westhills Villiage Portland Or.
permanent collection
Studio Art Direct 'The Private Collection'
Leena Riker collection
Tinker Hatfield collection
David Ogden Stiers collection
Michael Foster collection